As we wait for the show to start we’re treated to the sound of Dean Martin singing ‘That’s Amore’. Knot is a love story – but one whose Facebook relationship status might read ‘it’s complicated’. Nikki (Rummer) and JD (Broussé) arrive on stage and announce themselves. They’re dressed in baggy, neutral coloured rehearsal wear. They […]

Contemporary circus, like dance before it, was once perched precariously on the outer edges of the performing arts scene – insiders headed to Circus Space or Circomedia to get their fix; outsiders thought themselves daring for going to see Cirque du Soleil whenever they visited (and every time that company was reviewed in its early […]

Nearly Human is Perhaps Contraption’s first venture into theatre after having worked for nearly a decade as musicians. In Nearly Human, the band explores the infinite complexity of the universe with various brass instruments, drums, a guitar and a xylophone (used by Catherine Ring to deliver a cracking solo); to question where one thing ends […]

I Run tells the story of a man grieving for his dead daughter, and his discovery of running as a coping mechanism. Standing on a treadmill facing the audience, dressed in running gear, flanked by two fluorescent skylights that cover him in a stark and clinical light, the bereaved father begins to run. A small […]

Traumboy and Traumgirl have been created in response to one another by Daniel Hellmann and Anne Welenc, and although programmed separately, playing on alternate days in Summerhall’s Old Lab, they are best viewed (and reviewed) with the relationship between them acknowledged. Both pieces present an open and unashamed view into life as a sex worker […]