It’s like a 3D dogugaeshi as the red curtains slide back, revealing more and more in the depth of the space. But in place of painted Japanese screens, we get a ’performed sculpture’; an assemblage of animated objects and automata whizzing and whirring on little tables. It starts with a sheep – a funny little […]
Writings
Light, Ladd and Emberton: Caitlin
August 28th, 2015 by Lisa WolfeThey give us the money shot early. Caitlin curled around Dylan’s head like a Welsh blanket. Is she suffocating him or shielding him from something? From himself perhaps, or more likely, from her. For while Dylan Thomas was a notorious boozer and womaniser, it is Caitlin’s wilder and less predictable spirit that we are here […]
Caroline Horton & Co: Islands
August 28th, 2015 by Lisa WolfeOh Mary, oh Eve, what alarming, degrading, furious role models you are for womankind. Ruling your shitty, filthy world, with your lack of morals and shifting affiliations, with your disorganised bodies, shallow greed and steel hearts. Who should I follow and what should I believe? Caroline Horton’s ensemble show, which premiered in January, set the […]
Citizens Theatre: Lanark: A Life in Three Acts
August 28th, 2015 by Michael BeggI came home from the play and looked out my copy of the novel. It is hard to believe how yellow the pages have grown – more brown towards the edges. The glue in the spine has become brittle, so the book can only be opened with great care, and probably not with a view […]
Caroline Bowditch: Falling in Love with Frida
August 28th, 2015 by Terry O'DonovanThis is the second production inspired by Frida Kahlo that I’ve seen this summer. The first, The Four Fridas, was an enormous spectacle put together by Greenwich & Docklands International Festival’s Bradley Hemmings. It included a mesmerising and moving flight of the Voladores. Caroline Bowditch’s piece is the opposite in scale – intimate and friendly […]
