Paradise Lost (lies unopened beside me) is a solo performance by Lost Dog that sets out to present Milton’s Paradise Lost as a one-man epic. Ben Duke, the writer/performer, plays every part, and tells us early on that he hopes we haven’t actually read Paradise Lost, because he’s about to take some liberties. Duke’s gentle, […]
Writings
Igor and Moreno: Idiot-Syncrasy
August 24th, 2015 by Ezra LeBankIgor Urzelai and Moreno Solinas ooze sweetness. From the first moment Urzelai and Solinas walk onto their white stage, their innocent grace showers the theatre. What follows could be called contemporary dance, performance art, experimental theatre, investigations on endurance, a lot of jumping, or who knows what else, but whatever you call it, it’s lovely. […]
Company Chameleon: Beauty of the Beast
August 24th, 2015 by Ezra LeBankBeauty of the Beast presents an engaging, sometimes humorous, examination of male dynamics across a range of personal and social situations. Presented by Company Chameleon, and choreographed by Anthony Missen, Beauty plays with and against a vast range of male stereotypes. The company moves sporadically through a variety of forms, from classical dance to theatrical […]
Cie Nathalie Cornille: Madama Butterfly
August 24th, 2015 by Adam BennettThis combination of live and projected solo dance for young children is visually and aurally beautiful – the lighting is carefully set, the recording of the sung Puccini score clean, the set a simple large white folded shape, the dancer’s costumes spotless white shapes that reflect a Japanese aesthetic. The dancer is sublimely professional, creating […]
Tall Stories: Alfie White: Space Explorer
August 24th, 2015 by Adam BennettThis performance recaptures the intense interest in space, rockets and science of the late 1960s for an audience of children who won’t remember it and adults who might. A simple set of two half circles, one vertical backdrop, and one horizontal floor, with a raised centre area decorated with planetary formations, creates the playing area […]
