Writings

Portraits in Motion

Volker Gerling: Portraits in Motion

August 7th, 2015 by

Photographic flipbooks, sometimes called flicker-books. You know what I mean? Those little things you flick with your thumb, producing an instant mini animation? Volker Gerling makes them. He  picks a subject, asks them to pose, takes 36 clickety-click shots in 12 seconds, then uses high-quality photographic paper to produce beautiful and unique artworks. He shows […]

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Remote Control Theatre Project HaHa

Remote Control Theatre: Project HaHa

August 6th, 2015 by

Yellow bird, oh so pretty, perches on a wooden bench, then clambers amongst the audience. She’s sweet and smiley, wearing a 1950s style cotton sundress with a pretty print of lemons and leaves. She clambers over the steeply tiered seats of Summerhall’s Demonstration Room, whispering in people’s ears. I have the best seat in the […]

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Seth Kriebel We This Way

Seth Kriebel: We This Way

August 6th, 2015 by

You know when you’re reading a story to a child and they say ‘again!’ and you have to go back and tell it again? That. Our storyteller is Seth Kriebel, but he isn’t sitting in a cosy armchair, and there is no fringed standard lamp by his side. He’s sat at a desk lit by […]

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Moon Fool Titania

Moon Fool: Titania

August 6th, 2015 by

So here is Peaseblossom: cheeky, chirpy, distributing flowers amongst the audience with a wink and a smile. The purple one is very special, she confides to the young woman sitting next to me in the front row. Take it – but when I ask, you’ll give it back to me, won’t you? She’s coming! says […]

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Sue MacLaine Can I Start Again Please. Photo Matthew Andrews

Sue MacLaine Company: Can I Start Again Please

August 6th, 2015 by

We are here trying to find a translation. Are you listening? Do you understand? How are you doing? Are you assimilating, processing, interpreting? Perhaps you’re looking, reading the body language of the two women sitting side-by-side, joined at the hip by the voluptuous folds of dresses that billow over their chairs and on to the floor. One is […]

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