When Stanislavski and Nemirovich-Danchenko set up the Moscow Art Theatre – intending to rescue Russian theatre from commercialised, celebrity-obsessed mediocrity – one of their first acts was to leave Moscow and take their new ensemble on a rural retreat. Away from the routines of daily life, they sought to create a new theatre. A few […]

It was all a dream! Dermot Bolger’s effective adaptation of James Joyce’s masterpiece Ulysses reconstructs the novel as if it is being dreamed by Leopold Bloom. Doing so means it can start and finish with Molly Bloom’s famous soliloquy and make that evocative speech the narrative thread. The opening scene has Molly (Muireann Kelly) in […]

Hello Edinburgh! Everyone alright? Having a good time? So hey – here we are seeing a few shows, and what do you know? People just won’t shut up about rape. It’s out there. We all know it’s out there in the big bad world. But I mean it’s really out there at the Edinburgh Festival […]

Projector/Conjector states in the programme that it is a dance piece as well as a piece of theatre. This production pushes the definition of both those terms. The two performers, Mamoru Iriguchi and Selina Papoutseli move slowly about the small stage; Iriguchi has a TV screen on his head, Papoutseli has a projector on hers. […]

Jen McArthur uses physical gesture and dance in her one-woman show Echolalia, which explores the subject of Asperger’s syndrome and social etiquette. Echo is a character trapped inside her home and inside her own head; we see her go about her daily routine, obsessively counting her steps and repeating her routines. She is preparing for […]