En Avant, Marche! had me at ‘Hello’. A portly, grey haired man shuffles onstage holding a portable CD player. He wanders offstage and pulls in an extension cable, plugs in his CD player, skips to the right track, takes a pair of cymbals, and prepares to join in at the right moment. The anticipation is […]

I was disappointed. I was embarrassed for the company. I was looking around for an exit. And then suddenly I was drifting through the riches of pure acrobatic bliss. The Elephant in the Room is awful and then it is breathtakingly brilliant. The concept of the performance is to blend film noir, physical comedy, and […]

Paradise Lost (lies unopened beside me) is a solo performance by Lost Dog that sets out to present Milton’s Paradise Lost as a one-man epic. Ben Duke, the writer/performer, plays every part, and tells us early on that he hopes we haven’t actually read Paradise Lost, because he’s about to take some liberties. Duke’s gentle, […]

Igor Urzelai and Moreno Solinas ooze sweetness. From the first moment Urzelai and Solinas walk onto their white stage, their innocent grace showers the theatre. What follows could be called contemporary dance, performance art, experimental theatre, investigations on endurance, a lot of jumping, or who knows what else, but whatever you call it, it’s lovely. […]

Beauty of the Beast presents an engaging, sometimes humorous, examination of male dynamics across a range of personal and social situations. Presented by Company Chameleon, and choreographed by Anthony Missen, Beauty plays with and against a vast range of male stereotypes. The company moves sporadically through a variety of forms, from classical dance to theatrical […]