I am a performer and director and teacher but primarily now I am working in Academia.
I worked as a freelance performer and director for twenty-five years, and then felt that I needed to get some more stable work, so I got my PHD and now I am teaching full-time.
One side of my performance work is working with The Big Apple Circus in New York. I work as a clown and go into paediatric settings in hospitals and clinics and entertain the kids.
I had my own company in the 80s that combined text, movement and music and vocal qualities, and visual elements. One of the reasons I went into acting was so that I could eventually end up doing my own work, but I found that I ended up doing a lot of directing of straight plays. This year, I am going to be able to put on my own work again, as I am going to be doing a piece on body image - this is an area I am very interested in.
The main inspiration for the piece I am doing this year is people's discomfort with there bodies - not just women, men and women, and the way that people view their bodies, and exploring the cultural codes that are imposed on us and how we react to that. It will be researched by myself and then devised with the students so that they have a large input into the piece. My inspirations change with each project; I've done a piece on chess! Using physical theatre, I've done works on dreams; I've done a lot of deconstruction of texts.
Absolutely, in fact the main inspiration for my work is probably improvising with the body, how the body makes form and then finds content. The text that is created arises then from a more subconscious motivational source.
I believe that men have female characteristics and that women have male characteristics; that they are mixed. When certain studies are done about men's and women's brains the results are interesting.
One study I read said men are more structured and organised and authoritarian, and that women are more collaborative, softer, better at listening. In my ensemble work, I am dealing directly with the nature of collaboration and the ability to be able to absorb other people's ideas. But then there is a point in directing when I must become very forceful and structured as well, so it is a combination of both.
That's a tough one! Feminism is equality for women, giving women more space so that they can rise up to the level men have been privileged to experience; having consideration for women's projects, no matter what age the artists are.
Absolutely, I am a feminist. I always seek in my work to give the woman's point of view. I do like to work with men as well, but I believe more and more that many men are feminists, and are open to an equal exchange.
Only in that it seems to have a more negative connotation for people who didn't live through the feminist movement and do not realize what vast changes have been made as a result of that. My young students are empowered and secure; this seems to have been transmitted through the parents. Others have an extremely negative view of feminism, which is scary.
Absolutely.
I think it is a financial question of production, it's a matter of getting backing, getting assistance and being able to fund that. For women who want to have families, it is a huge problem - for me, that was the main problem and the main reason why I gave up doing my own work, so I could make money and have a child. This also connects to the body, having time to work out or train to keep fitness at the right level for performance. Things that would help would be funding for older performers to carry on developing their own work alongside other commitments.
More and more women are making their own work - that's good and will grow, it is positive and more opportunities will become available.