It’s a Wednesday night in central Birmingham, and we’re heading to BOM (Birmingham Open Media), a venue and artists’ studio close to New Street station which is the designated hub for Fierce Festival 2015, a five-day bonanza of live art, experimental theatre, installations, screenings and parties. We pass old-school Chinese restaurants with red dragon signage; […]

The future will be confusing. This is how it ends – there are no answers, no conflict resolution. In this, it could perhaps be argued that Chris Goode’s latest work, Weaklings, is less a piece of theatre than a multi-artform installation of texts, sounds and images, inhabited by four performers who activate the space. But […]