Kris Canavan’s meeting place for Dredge, which takes place in public space, is Parliament Square – surrounded by Westminster Abbey, Whitehall, the Supreme Court and the Houses of Parliament. Placing his work in an established site for demonstrations and protests, with its backdrop of historic and imposing Neoclassical and Gothic architecture – symbols of power […]
Writings
Site and Sound: SPILL Festival
November 3rd, 2015 by Rebecca JS NiceFrom pitched rooftops to pitch-black rooms – Rebecca Nice explores performance and installation work seen and heard at Toynbee Studios in the opening weekend of SPILL Festival A sunny Saturday afternoon on Commercial Street in the constantly-evolving East End of London, where local landmark Toynbee Hall (now Studios) is wedged between soaring new office buildings. […]
Seth Kriebel: A House Repeated
October 27th, 2015 by Rebecca JS NiceA House Repeated is a video game stripped down to its framework of commands and voice prompts. But these are described and narrated by Seith Kriebel and a female performer, who personify a virtual and specific site, revealing a fantastical imagined world based on Battersea Arts Centre itself. The duo divide the audience into two […]
MAS Productions: Lady Vendredi – Battle Cry
October 26th, 2015 by Dorothy Max PriorVoodoo, debauched dancing, white-and-black minstrels, abused crucifixes, popcorn, twerking (culturally appropriated and otherwise), wigs, stilettos (knives and shoes), tits, bums, and a superb jazz drummer. Not your average night at the theatre. What exactly is it? Is it a gig? Is it performance art? Is it immersive theatre? Yes to all of the above. Merging […]
Stacy Makishi: Vesper Time
October 26th, 2015 by Dorothy Max PriorStacy is greeting us as we come into the Marlborough Theatre’s cosy, pink, womb-like theatre space. She’s wearing a radio mic, but there’s also (80s pop) music playing, so her words are only just audible, which is rather nice – a kind of murmuring undercurrent. Everyone gets a hug or a smile or a wave […]
