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“One of the things that I’m trying to do with SPILL is to smash this idea that experimental performance is elite. Bullshit to that really, it’s about making the invitation to engage as easy to understand and as accessible as possible. And I don’t think that that means that the work has to in any way compromise itself; in fact the very opposite. I think the more the work stands on its own terms and is presented genuinely, the more people recognise it as the real deal.”
— Robert Pacitti in ‘Voices: Robert Pacitti’
The Archive
The Total Theatre Magazine Print Archive covers almost 25 years of contemporary theatre and performance, spanning the period from 1989-2012. It has been made possible with support from the Heritage Lottery Fund, alongside sponsors Rose Bruford College, Attenborough Centre for the Creative Arts, and the Royal Conservatoire of Scotland.
editorial@totaltheatremagazine.org.uk
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