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“At one time most French actors, both minor and major, passed through his studios, taking with them an understanding of the actor’s need to be physically clear and precise. Decroux understood that the actor needed a vocabulary, a ‘grammar’ of movement, not another movement ‘technique’.”

— Anne Dennis in ‘Decroux the Speaking Actor’

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The Total Theatre Magazine Print Archive covers almost 25 years of contemporary theatre and performance, spanning the period from 1989-2012. It has been made possible with support from the Heritage Lottery Fund, alongside sponsors Rose Bruford College, Attenborough Centre for the Creative Arts, and the Royal Conservatoire of Scotland.
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