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Credits
“We yawned a lot, without stretching, to feel vulnerable, we sighed in a high upper-chest range, long sighs of loss and we tried to relax our bodies into a ‘floppy’ state. The focus was on indulging in and enjoying the in-breath, drinking oxygen down. After half an hour, Enrique asked us if we started to feel ‘soggy’, and we were! Eyes were watering and noses running. We introduced sounds, weeping ‘rhubarb rhubarb’ with as much sense of loss and pathos as we could find.”
— Jon Potter in ‘Voice Training for Mimes - An Area We Often Need Developing’
The Archive
The Total Theatre Magazine Print Archive covers almost 25 years of contemporary theatre and performance, spanning the period from 1989-2012. It has been made possible with support from the Heritage Lottery Fund, alongside sponsors Rose Bruford College, Attenborough Centre for the Creative Arts, and the Royal Conservatoire of Scotland.
editorial@totaltheatremagazine.org.uk
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