Wooden, road, pale, stone and woollen were some of Ivor Cutler’s favourite words. I expected honey, or bee perhaps. But nothing was ever as you’d expect it with Ivor Cutler, which this clever and exuberant production makes clear. The dour mystique of the cult Scottish writer and musician is vividly channelled in a splendid performance […]
Writings
Vanishing Point and The National Theatre of Scotland: The Beautiful Cosmos of Ivor Cutler
May 19th, 2015 by Lisa Wolfe
Luke Wright: Stay at Home Dandy
May 18th, 2015 by Matt RudkinSporting an asymmetric blond coiffure and dressed in frock-coat and waistcoat complete with fob watch, the baby-faced Luke Wright takes to the stage as himself, the New Romantic dandy of the title. Despite this appearance, he is no self-centred aesthete, but a virtuoso wordsmith with a sincere and sensitive social conscience. I had not previously […]
Claudia Molitor/Dan Ayling: Vast White Stillness
May 15th, 2015 by Dorothy Max PriorA woman weeps. There is a piano and a pile of firewood and a video projection of trees in the snow. The woman leads us to another space. The woman weeps some more and sighs. The woman sighs some more and takes books from a trunk and clutches them to her chest, then spreads them […]
Burn the Curtain: The Company of Wolves
May 15th, 2015 by Isobel SmithHungry for adventure, it was a relief to leave the bright efficiency of the box office tent, and side-step into the dusky Stanmer village church yard where dark figures had been lurking and another reality within the familiar setting of Stanmer Park (a country park just outside of Brighton) awaited. The Company of Wolves, Shiona […]
Mabou Mines: Lucia’s Chapters of Coming Forth by Day
May 13th, 2015 by Dorothy Max Prior‘Bad news – I’m dead.’ says Lucia Joyce. Viewed by the world as the mad daughter of the genius writer James Joyce, Lucia is here to tell us her version of her life story, as we watch her moving from earthly existence to afterlife – a true bardo of becoming. The scenography of the piece […]
