It’s a bold move to premiere your new show at London International Mime Festival, and one which young international ensemble Theatre Re only partly pull off. Not unlike Theatre Ad Infinitum’s Light, which plays elsewhere in the festival, the focus of their show is on darkness, or more specifically living in blindness, and their ideas […]
Writings
Compagnie 111 / Aurélien Bory / Kaori Ito: Plexus
January 24th, 2015 by Terry O'DonovanAurélien Bory is a regular at the London International Mime Festival, having astounded audiences with Plan B and Plus Au Moins Infini, amongst others. He creates fascinating performances that merge dance, circus, and large-scale installation type sets to awing affect. In this year’s offering, Plexus, he continues to dazzle. The definition of the word ‘plexus’ […]
Circus Ronaldo: Amortale
January 24th, 2015 by Darren EastCircus Ronaldo’s publicity and programme for Amortale are contrarily earnest: we’re told about the the rich traditions of a sixth-generation travelling family circus, the nostalgia for a primal theatre not understood but experienced, the meeting of tragedy and trivia. But although it encompasses all of these things, the show is fundamentally a comic performance of […]
Adventures Off Broadway
January 23rd, 2015 by Terry O'DonovanJanuary Blues? Not in New York says Terry O’Donovan, who is there to report on a flurry of festivals… It’s January. The temperature is well below freezing, but that hasn’t stopped the international theatre-world from descending upon New York for a myriad of theatrical festivals, conferences and symposiums. Armed with a furry hat, leather gloves […]
Chris Lynam: ErictheFred
January 22nd, 2015 by Richard CumingChris Lynam is a master clown who has been a stalwart of street performance, cabaret, festival and stage for over 30 years. Often outrageous, frequently provocative, sometimes aggressive and dangerous, he is a trickster figure whose set pieces are undercut by manic improvisations from a quicksilver persona which manages to both delight and outrage his […]
