Pedigree and provenance, that’s what it’s all about. This ‘subversive promenade performance’ is one of the key commissions for this year’s Brighton Festival, and follows in the Festival’s tradition of commissioning high quality site-responsive work as a key part of its theatre programme. It takes the form of a tour around Preston Manor, described quite […]
Writings
Siro-A: Technodelic!
April 22nd, 2013 by Miriam (Mim) KingBefore the performance begins a video camera pointed at the audience projects our waiting faces onto the screen, individuals singled out and video mapped onto the bodies of superheroes and samurai wrestlers. We laugh, we smile, we’re amused and enchanted. After this pre-show, it’s a helter-skelter freefall into an optic, joyful, fast-paced, pulsating arcade of […]
Little Bulb Theatre: Orpheus
April 18th, 2013 by Terry O'DonovanCheeseboards, red wine and Edith Piaf. Even the bar staff gallantly attempt to speak French to you. The Battersea Arts Centre’s beautifully opulent Grand Hall has been transformed into a 1930s Parisian music hall for Little Bulb’s lovingly created version of the Orpheus myth. The company was inspired by the incredible guitar music of Django […]
Jane Packman Company: A Thousand Shards of Glass
April 17th, 2013 by Fred DalmassoA Thousand Shards of Glass starts with a warm welcome from solo performer Lucy Ellinson. She has a seemingly innocent question or remark for each of us as we are led in groups of three or four to seats set around a circular network of wires and tunnel lamps. From the start, we are in it […]
Voetvolk: It’s going to get worse and worse and worse, my friend
April 11th, 2013 by Lisa WolfeRhetoric has the power to persuade and a good speech takes its listeners on a journey, often leading them to a place of rapture – and no more so than with evangelist preachers like the American televangelist Jimmy Swaggart. In a fifty-minute dance piece, Lisbeth Gruwez embodies this disarming process. She first appears backlit, standing […]
