It opens like a Farndale Avenue show. An am-dram production by the Loch Parry Players of The Wicker Man, with suitably dilapidated scenery, naff costumes and an inappropriate West End style showbiz song and dance number which is very ably done. The core cast of familiar Wicker Man characters are assembled to rehearse, sending cues to the […]
Writings
National Theatre of Scotland: An Appointment with The Wicker Man
August 8th, 2012 by Lisa Wolfe
Faye Draper: Tea is an Evening Meal
August 8th, 2012 by Dorothy Max PriorBreakfast, brunch, lunch, tea, dinner, supper… Well, at least we are all agreed on breakfast. But what does ‘tea’ mean to you? A brew with biccies or an evening meal? There are around twelve of us gathered around a nice old-fashioned kitchen table, a decent solid pine-wood table, not one of those lightweight things from […]
Ontroerend Goed: All That is Wrong
August 8th, 2012 by Dorothy Max PriorGirl, 18. She’s dressed in a loose pink jersey and skinny jeans, limp blonde hair falling over her face, no make-up. There’s an echo of the Corinne Day photos of the young Kate Moss in her cool and loose prettiness. She’s sitting on the floor next to a young man, and they’re talking in a […]
Clout: How a Man Crumbled
August 7th, 2012 by Dorothy Max PriorIn How a Man Crumbled, Lecoq trained Clout Theatre invite us to dive head-first into the absurd and violent world of Russian poet Daniil Kharms. They tell their tale with a great deal of panache, using a provocative mix of dark clown, slapstick and surrealist imagery, and the end result has something of the feel of […]
How It Ended Productions: You Obviously Know What I’m Talking About
August 6th, 2012 by Dorothy Max PriorMeet Winfield Scott-Boring. He lives all alone and never goes out. His little flat is piled high with old copies of Sea Angler magazine (he doesn’t go sea angling, he just likes reading the magazines), and he works in his pyjamas, ‘fixing the unfixable’. At night he goes to bed with a Californian self-help cassette […]
