With the mechanically open charm of the Lecoq performance style Rhum and Clay present a space of illusive freedom and hegemonic control. Three men in gas masks and trench coats guide, affect and respond to the world of the central character Lublin, a ministry clerk of no import, deftly played with an anxious energy by […]

In a style similar to Germany’s acclaimed Familie Floez, Kulunka Teatro has created a piece of vibrant contemporary mask theatre that transcends language. An elderly man is typing at home at his desk, his wife is nearby, playing cello… they are irritated at each other when their son comes to visit. The father finishes writing […]

The auditorium is submerged into pitch black. We hear scratching sounds, pushing and pulling. A lone light slowly reveals a man (Claudio Stellato) with a small cabinet balancing perfectly on his upper back. Deep in concentration he edges further across a deep red that is folded in half. Suddenly, the carpet comes to life and […]

It’s a fact of life that we’re all getting older. Some of us might be getting older than others, but the facts are indisputable. And as we age, and as the life around us changes, sometimes we have to check in and ask ourselves how we’re doing. The question needs to be posed: ‘Is this […]

At LIMF this year NoFit State Circus – known more usually for their large-scale tented productions Immortal and tabú – bring us Mundo Paralelo, a show for proscenium arch theatres directed by circus novice Mladen Materic, the Serbian director of Theatre Tattoo, and performed by a troupe of eleven international performers. Mundo Paralelo translates as ‘parallel world’, and in his direction Materic […]