This show has a classic Edinburgh Fringe attention-grabbing premise: a musical where the characters are made from dead animals. Described as roadkill meets X-Factor, this four-performer, two-musician show takes the classic musical theatre plot (a bunch of performers want to put on a show as we watch the impresario corral the talent and deal with […]

This is a dream-state, otherworldly imagining of A Midsummer Night’s Dream– funny, playful, but possessing the dark urgency of a particularly bizarre dream that embroils the sleeper and occupies their thoughts even upon waking. This is the much-hyped collaboration between Bristol Old Vic’s artistic director Tom Morris and South African Handspring Puppet Company, whose previous partnership War […]

The performer/technicians were sitting patiently on one of the many packing crates scattered on the stage, behind what looked like an architect’s model of an office complex or railway station. Wires and technology were visible too. The soundtrack began, revealing that the cityscape was in fact the insides of the narrator’s dead mother’s much loved […]

The empty men are thick, greyish-white, heavy creatures with googling eyes and lead in their feet, which land heavily on the table-top stage. Their expressions manage to be both gaunt and gormless. They are vaudeville creatures, nearly beheading one another with that old classic, the too-fast-turning plank. They are almost unable to take to their […]

In devised work, it’s the frame that often carries the weight of really communicating a show. In work that’s experimental in form and that draws the audience into its fictions in unconventional ways, it’s the frame that creates and clarifies meaning. Blind Summit’s new production, The Heads – developed from one section of their previous […]