Circus Ronaldo’s publicity and programme for Amortale are contrarily earnest: we’re told about the the rich traditions of a sixth-generation travelling family circus, the nostalgia for a primal theatre not understood but experienced, the meeting of tragedy and trivia. But although it encompasses all of these things, the show is fundamentally a comic performance of […]

January Blues? Not in New York says Terry O’Donovan, who is there to report on a flurry of festivals… It’s January. The temperature is well below freezing, but that hasn’t stopped the international theatre-world from descending upon New York for a myriad of theatrical festivals, conferences and symposiums. Armed with a furry hat, leather gloves […]

Chris Lynam is a master clown who has been a stalwart of street performance, cabaret, festival and stage for over 30 years.   Often outrageous, frequently provocative, sometimes aggressive and dangerous, he is a trickster figure whose set pieces are undercut by manic improvisations from a quicksilver persona which manages to both delight and outrage his […]

Flabbergast Theatre have grown a reputation for delivering highly skilled visual comedy. The creators of Boris and Sergey have etched out their own unique visual style in slick performances of high-energy tabletop puppetry. Tatterdemalion is their first foray into the world of clown and mime whilst still incorporating some object manipulation. Yet, in comparison to […]

Gecko are masters at the exquisite theatrical image. Over the past decade, with productions such as Missing (soon to be re-staged at Battersea Arts Centre) and The Race they have continued to grow bigger, bolder productions fusing physical storytelling with text and stunning stage pictures. Institute, which premiered at Derby Theatre last May, sees Amit […]