Writings

Shona Reppe - HUFF - photo Paul Watt

Shona Reppe & Andy Manley: HUFF

August 4th, 2014 by

Deconstructed fairytales have long made classic Fringe fare. After Bettelheim and Angela Carter we’re all aware of the latent warnings and desires lurking in their mythic outlines, rich and iconic – perfect for developing theme or subtext in new plays. Shona Reppe though, unpicks her fairy tale according to a material logic in this new […]

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Chris Goode and Company: Men in the Cities

August 3rd, 2014 by

Men in the Cities is big play, presenting a ranging cast of men of all backgrounds and ages on the canvas of our largest and most multivalent city. It is also a solo storytelling show. Chris Goode holds the stage from an almost static station at his microphone, allowing his prose full play. There’s only […]

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Vagalume Teatro: Agitación Senile

August 3rd, 2014 by

Established Spanish street theatre company Vagalume Teatro have created a touching and funny mask performance in their first exploration of this form. They establish an effective and simple premise: three elderly people meet by chance when they share the same bench. Each is suffering – one is too poor to eat, one cannot afford the […]

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Fire Exit - Horizontal Collaboration - Photo Mihaela Bodlovic

Fire Exit / David Leddy: Horizontal Collaboration & City of the Blind

August 3rd, 2014 by

There are certain institutions whose very existence feels reassuring. Often NGOs, they are the embodiment of certain principles and their ambitions toward fostering peace, international collaboration or environmental protection give the comforting impression that ‘something is being done’ if even if you yourself are too busy to get directly involved. The UN, and particularly news […]

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Night Watch at Cambridge Junction

The Night Watch

July 31st, 2014 by

Edward Rapley signs up for a Live Art long haul at Cambridge Junction So once there was Sampled: a weekend festival of ‘performance ideas in progress for audiences and artists, providing a platform for risk-taking performing arts to meet audiences at vital stages in their development’. And then, in 2014, came Night Watch, offering ‘a […]

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