Geraldine Pilgrim has been creating site-responsive performances and installations since long before Punchdrunk ever donned a mask or dreamthinkspeak first re-cast classic text into architectural form. Yet, for contemporary audiences, it’s hard not to encounter her work through the lenses of those other artists who have popularised the form in recent years. Pilgrim’s work rests […]

Dorothy Max Prior reflects on the recent works of Forced Entertainment The Basement arts centre in Brighton on a school night. A young and eager audience, and a stage set simply – just a square of wooden decking and a festoon of lights. Enter two performers, one male and one female, playing themselves (or versions […]

Miriam King reports on Grist to the Mill’s appearances at the Suspense Festival of Adult Puppetry Puppetry, object theatre, animation…  Suspense is a biennial festival that takes place in London in October and November. It aims to ‘explode the myth that surrounds puppetry in this country, proving that puppets aren’t just for kids.’  It showcases […]

The stage is a playground of visual delights. A backdrop of ruched and rumpled cardboard, a folding screen daubed with Picasso-blue squiggles and splurges, a giant metal cylinder that’s an odd cross between a German Wheel and a double-edged tightwire, and a kind of suspended roundabout that doesn’t look like it could hold the four […]

Laughing in the wreckage, standing defiant as the world throws things at you – and the rivalry of men up against it. These are the ideas at the heart of Petit Mal. We start in what seems to be a moody, gloomy garage or basement, the stage so dark that it’s hard to see what’s […]