Writings

Under a Magnifying Glass

January 29th, 2017 by

 Donald Hutera meets Euripides Laskaridis, the Greek artist responsible for the ripe and remarkable solo show Relic, which receives its UK premiere at the London International Mime Festival 2017 Relic, as the gifted Greek theatre-maker Euripides Laskaridis explains, ‘is a word that comes from the Latin “relinquere,” which means “whatever is left behind.” It’s something […]

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Sacekripa: Marée Basse

January 27th, 2017 by

Marée basse – low tide. Downtime. The waiting time. On stage, there’s a house, or at least, a kind of shack. Inside its wooden boundaries, a kitchen table, a couple of chairs, a small enamel cooker, tin pots and pans, a TV.  As we enter the auditorium, a nasty waspish synth line repeats and repeats […]

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Mossoux Bonté: Whispers

January 18th, 2017 by

Whispers is one of those Mime Festival shows that doesn’t quite fit into any category, at once both dance and object animation, it is also neither of these. And, although there is only one performer visible on stage throughout (Nicole Mossoux) she almost certainly isn’t alone. Moreover, though the work originated out of an interest […]

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Compagnie MPTA / Mathurin Bolze: Barons Perchés

January 12th, 2017 by

An elaborate construction of scaffolding and timber, an open-fronted house, sits on a high stage in the centre of the performance space. Lights dim, other low-lights glow. The house seems to have a life of its own, flickering and humming. A man – dark tousled hair, black jacket, white shirt – comes in, makes himself […]

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Carnesky Productions: Dr Carnesky’s Incredible Bleeding Woman

January 10th, 2017 by

What’s the time, Mr Wolf? Oh – it’s that time. Time of the month. Lady time. Time for your little monthly visitor. Dr Carnesky eschews these euphemisms, preferring to explore the metaphor of the snake shedding its skin, to emerge renewed. The mythology of menstruation is her subject, and we are treated to a potted […]

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