Die Roten Punkte Haus Party

Die Roten Punkte: Haus Party

This cabaret showcase is overseen by the über-amusing ‘German’ rock duo, Otto and Astrid (actually, two Australian musician-clowns) who expertly teeter on the lips of the shambolic during improvised interactions with their special guests.  There are great participatory games with the audience, such as ’22 second disco’, and of course they play a selection of their hits, such as the new-wave classic ‘Get your Finger out of my Ass (I want to Sit Down)’.

As the old adage goes, ‘an accident is a gift to a clown’, and the pair fully exploit this maxim by apparently not having tried out all of their game ideas beforehand.  And yet, as when Astrid gets her unravelling ‘rock sleeves’ caught up in the microphone stand, you can never be sure how much is genuine mishap and how much is expertly choreographed chaos.  Either way, the clowning is so effortless and inventive that it’s all delightfully funny.

The guests on the night I went provided a good variety, including the eccentric stand-up of Paul Foot; the spectacular sight and sound of cabaret singing sensation Le Gateau Chocolat, the live art burlesque of Adrienne Truscott, and a lip-sync battle hosted by Rhys Nicholson, and featuring Kate Copstick and Aunty.  The balance of well-crafted material and loose improvisation works well to keep us impressed but relaxed, making this a great late-night showcase in and a great place to end up with friends, in a wonderful venue.

This entry was posted in Reviews and tagged on by .
Avatar

About Matt Rudkin

Matt Rudkin is a theatre maker and teacher who creates work as Inconvenient Spoof. He has a BA in Creative Arts, an MA in Performance Studies, and studied with Philippe Gaulier (London), and The Actors Space (Spain). He was founder and compere of Edinburgh’s infamous Bongo Club Cabaret, concurrently working as maker and puppeteer with The Edinburgh Puppet Company. He has toured internationally as a street theatre performer with The Incredible Bull Circus, and presented more experimental work at The Green Room, CCA, Whitstable Biennale, ICA, Omsk and Shunt Lounge. He is also a Senior Lecturer in Theatre and Visual Art at the University of Brighton.