After a number of successful touring shows, including a contemporary opera for young people (last year’s Swanhunter), the Wrong Crowd have made a new piece, again for young people, which has no words at all. They say in the programme notes that ‘this suits us well as visual theatre makers,’ and you can feel the […]
Writings
Vamos Theatre: The Best Thing
February 1st, 2016 by Tara BolandInspired by the true stories of women in the 1960s forced to give up their children under pressures from the church, family, or community, Vamos Theatre present a visual narrative of one woman’s journey to discover her birth mother, beginning at her funeral. An organ laments, an elderly gentleman enters. The stiff back and rigid […]
Yorgos Karamalegos: Home
February 1st, 2016 by Thomas JM WilsonMedea is a myth that centres on Medea’s choice to leave her homeland to follow her heart, joining her lover, the Cretan King Jason. This staple of the Greek canon is a rich exploration of love, betrayal, and vengeance and, as is usual with Greek tragedy, avoids providing an easy answer or singular viewpoint. It […]
Circa: The Return
February 1st, 2016 by Thomas JM WilsonThis atmospheric response to Monteverdi’s opera Il Ritorno d’Ulisse in Patria is the latest UK premiere from prolific Australian circus company Circa. A regular visitor to London’s Barbican, it is Circa’s first visit as part of the London International Mime Festival. The Return sees six acrobats (three men and three women) share the roles of ‘a man trying […]
Mel Brimfield & Gwyneth Herbert: Springtime for Henry (and Barbara)
January 31st, 2016 by Lisa WolfeImagine – it’s opening night of a long-awaited new musical on London’s West End. Can director Larry Goldblatt (David Bedella) succeed where Sir Laurence Olivier, Sir Peter Hall, and Peter Brook have failed? Will the book surpass those of Harold Pinter, Howard Brenton, or National Treasure Alan Bennett? Might the music eclipse that of Stephen […]
