As I skate in a few seconds before the performance (after running up and down The Scotsman steps to check the platform for a train back to Glasgow), the box office are just about to sell my ticket. ‘It’s a very popular show,’ they say, as apologies follow on both sides. Sure enough, three of […]
Writings
Theatre Ad Infinitum: Translunar Paradise
August 10th, 2011 by Dorothy Max PriorOh heart, oh troubled heart! An old man, recently bereaved, sits and sits, the minutes ticking by with painful slowness. He makes tea, and out of habit pours two cups, one for him and one for his dead wife. And still he sits. Watching him in anguish is the spirit of his wife, desperate to […]
Bootworks Theatre: The Incredible Book Eating Boy
August 9th, 2011 by Charlotte SmithThis five-minute wonder of a production takes place in a black box, a little tent or Tardis for a very small audience. Young children (the target age group is four upwards) may be accompanied by an adult, but otherwise the performance is tailored to a single viewer. Three windows alternate in peep-show scenes, with shutters […]
Circolombia: Urban
August 9th, 2011 by Charlotte SmithOne of the most breathtaking of Circolombia’s acts is a ‘frontal perch’. A bare-chested man balances a huge hoop like a Celtic cross on just his forehead, occasionally using his arms for further support. With exquisite balance and considerable skill, a woman moves gracefully within the circle. It’s humbling to see their lives linked on […]
Bryony Kimmings: 7 Day Drunk
August 9th, 2011 by Andy RobertsBryony Kimmings undertook a week-long experiment to gather material for her new performance: the aim was to keep herself intoxicated for seven days to see what would happen. The result is an anarchic 80s-tinged live art bonanza combining a multitude of messy stories, dances and songs – although one would expect nothing less. What is […]