Writings

Girls and Boys Come Out to Play – Reykjavík Fringe 2022

July 31st, 2022 by

Sex-bomb robots challenge notions of femininity, a trio of peacock men vie for the audience’s adoration, and an ensemble of women performers explore what it is to be male… Dorothy Max Prior samples some of the dance and physical theatre programme at the Reykjavík Fringe 2022 The opening night of the Reykjavík Fringe 2022. There’s […]

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We Are Family – Reykjavík Fringe 2022

July 26th, 2022 by

Dorothy Max Prior goes to the Reykjavík Fringe 2022 and encounters a thriving community of artists from Iceland, from other Nordic countries, and indeed from across the globe – a 90-show extravaganza held over ten days, all  lovingly pulled together by festival director Nanna Gunnars and her dedicated  team   ‘Mostly, I’m excited to be meeting people,’ says […]

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The Vibrating Body

July 12th, 2022 by

A golden humanoid lion, an overcoat made of herrings, and drawing noses. Dorothy Max Prior profiles the work of visual and performing artist Jenya Stashkov  Russian artist Jenya Stashkov is many things – a renaissance man, you could say. He is a visual artist and illustrator; but also a playwright, performer and director.. With his […]

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Reclaiming the Mainstream

July 12th, 2022 by

Daryl Beeton is a Disabled director and performer who has worked extensively within the theatre, disability and young people’s arts sector for the last 25 years. At the core of his work is the belief that arts can enrich our lives and those of the communities we inhabit.  I’ve been Disabled since birth. I spent […]

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For Folk’s Sake

July 4th, 2022 by

Lorna Rees muses on contemporary folk performance – from And Now’s Wayfaring to Lucy Wright’s Radical Landscapes, via Apple Wassailing, Gothic Morris Dancing, and The Wicker Man I have had quite a history with ‘folk’ without realising it. I strongly identify as being from the South-West of England. I’m part of its culture and it […]

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