Previous work by Yngvild Aspeli, director of Ashes, includes a series of shows by UK-based company Jammy Voo, in most of which (among other things) she performed a different scene where she got into a generally-fatal battle with her own puppet. In a sense, Ashes is these theatrical moments of struggle writ large. The protagonist […]
Writings
Stephen Mottram: The Parachute / Watch The Ball
January 31st, 2017 by Darren EastStephen Mottram is known for his sophisticated marionette shows for adult audiences, and also for his highly skilled analysis and performance of puppet movement and expression. The Parachute appears to have begun life as an experiment in how minimally humans can be represented, as animated figures, and still have their actions and their inner lives […]
Nordic Puppet Ambassadors: Only One Suitcase Allowed
January 29th, 2017 by Dorothy Max PriorA world within a suitcase – tall town houses, a tram, and little paper-cut people happily going about their business. A mother and daughter holding hands. A group of adults waiting at a stop. Children sitting on the pavement. A man taking a stroll. Everyday life. The female performer manipulating the little people provides an […]
Under a Magnifying Glass
January 29th, 2017 by Donald HuteraDonald Hutera meets Euripides Laskaridis, the Greek artist responsible for the ripe and remarkable solo show Relic, which receives its UK premiere at the London International Mime Festival 2017 Relic, as the gifted Greek theatre-maker Euripides Laskaridis explains, ‘is a word that comes from the Latin “relinquere,” which means “whatever is left behind.” It’s something […]
Sacekripa: Marée Basse
January 27th, 2017 by Dorothy Max PriorMarée basse – low tide. Downtime. The waiting time. On stage, there’s a house, or at least, a kind of shack. Inside its wooden boundaries, a kitchen table, a couple of chairs, a small enamel cooker, tin pots and pans, a TV. As we enter the auditorium, a nasty waspish synth line repeats and repeats […]