A co-production with Horsecross Arts and Assembly Festival, Communicado Theatre Company’s Tam O’Shanter is a musical telling of the famous Robert Burns poem that details a drunken night of fun, laughter, martial strife and debauched supernatural encounters. A vibrant and physical production created and directed by Gerry Mulgrew, Communicado’s work keeps Burn’s poem as its core but […]

Having won a Fringe First last year for the critically acclaimed Your Last Breath, Curious Directive’s second Fringe production comes loaded with some expectation. Much of this young devising company’s work explores the role that science plays in life, and in After the Rainfall, loss, colonialism, nuclear power and human ambition are thrust sharply under the microscope. […]

There is much in the ideology of Work Songs that holds appeal for any of us who have toiled in an unforgiving job: explorations of complex status play and mind-numbing routine, and a clever examination of the tension caused by ridiculous office minutiae. Broderick Chow and Tom Wells are consummate performers in the physical theatre style, with […]

CountryBoy’s Struggle grabbed my attention from the pre-set onwards and firmly held my interest through the absorbing and accomplished performance of Maxwell Golden, which combines sharply delivered multiple characters, imaginative use of physicality, and, of course, a big dash of rap. Golden plays ‘Michael’, the titular Country Boy and affable geek, and the piece is directed […]

Presented as part of the Made in Scotland programme, The Static is the third piece by ThickSkin in what could loosely be called a trilogy, the first two pieces being White Noise and Boy Magnet. What these three works have in common is an interest in investigating natural forces like electricity or magnetism, and in using them as the basis […]