Theatre Re are a young French-English company exploring corporeal mime to tell stories that walk the tightrope between fantasy and reality. In The Little Soldiers the apparent setting is a circus, figured by a string of pendant tungsten bulbs draped attractively across a stage peopled by three grease-painted archetypes of silent movie styled commedia. The […]

Engaging, interesting and funny, Buddhism: Is It Just For Losers keeps the audience chortling if not belly-laughing throughout. Premiering in last year’s Fringe at the Nightingale, this year reworked and at the Marlborough Theatre, it was a safe pick for the Fringe reflected in enthusiastic full houses (sandwiched in a superb range of programming at […]

This is a modest production by a young company on a very small stage, but clearly much enjoyed by the youngsters and their parents in attendance. From the repeating wordplay, to the well-timed audience interactions and the inclusion of a just-scary-enough Queen of Hearts, this concise reworking of Alice in Wonderland demonstrates throughout a keen […]

‘Host’ is one of those delicious words whose multiple meanings sit, humming, in tension with one other, creating a delicious mental paradox. Both intimate, generous even, and legion, slightly threatening, its abstract use in the project’s title leaves all possible meanings in suspension. As if what exactly the project is to become has yet to […]

There have been several plays about Florence Foster Jenkins, the American heiress, eccentric and self-proclaimed opera diva, one starring Maureen Lipman. I doubt any of them match this production by Dutch company Mtg de Koude Kermis in which form is so perfectly aligned with content. On a set like a playground, with sumptuous backdrop badly […]