Tag Archives: Edinburgh Festival Fringe

Superbolt: Centralia

Superbolt: Centralia

August 27th, 2012 by

There is much to appreciate in this quirky show that tells tales from the history of an American town beneath which an underground fire has been burning for decades. The three performers present themselves as the town’s last inhabitants, excited to be here in Edinburgh to share their stories. The cast’s Lecoq School training is […]

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Panta Rei Theatre Collective: Don Quixote! Don Quixote!

Panta Rei Theatre Collective: Don Quixote! Don Quixote!

August 27th, 2012 by

This show might easily have been a final assessment piece on an MA in Contemporary European Theatre. You can tick off the influences of Beckett, Pirandello, Artaud and Brook in a fairly predictable avant-gardist collage of existential quips, grotesque physicality and random dangling objects (unused). There is evidence of strong performing ability, particularly the female […]

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Shams: Thin Ice

Shams: Thin Ice

August 27th, 2012 by

Part of the Escalator East to Edinburgh programme, Shams’ Thin Ice is, on the one hand, an adventure story detailing a mission of Arctic exploration and scientific discovery, and, on the other, the story of a romantic love triangle. Set in May 1940, Thin Ice flows effortlessly between the past and the present, moving from the discovery of the […]

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Weeping Spoon: The Adventures of Alvin Sputnik: Deep Sea Explorer

Weeping Spoon: The Adventures of Alvin Sputnik: Deep Sea Explorer

August 26th, 2012 by

The Adventures of Alvin Sputnik is an elegant and touching piece of solo theatrical storytelling that effortlessly fuses digital projection, puppetry and live music to draw you into a very idiosyncratic visual world. The focus on stage is a large round screen, reminiscent of the round window of a space ship, or a bubble, and beautifully […]

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The Mechanical Animal Corporation: The Softening of MAO-A

The Mechanical Animal Corporation: The Softening of MAO-A

August 26th, 2012 by

The name of The Mechanical Animal Corporation suggests the company are fundamentally interested in considering the human being from an evolutionary perspective, and in this particular ‘bio-theatre experiment’ they explore connections between art, genetics and human violence. As it is, the piece holds the potential to provoke much post-show reflection on the implications of the […]

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