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“The door of Dali’s suite swung open to reveal liveried footmen balancing trays groaning with every form of alcohol known to man. Our eyes glistened and some of us actually drooled. Dali was not to pay us in cash but in kind! He came into the hall to greet us. He was small and very dapper, his famous moustache, waxed and shining, his suit a brazen black and white pinstripe. He carried a gold topped cane. His eyes shone with an amused shrewdness.”
— Nola Rae in ‘A Dally With Dali’
The Archive
The Total Theatre Magazine Print Archive covers almost 25 years of contemporary theatre and performance, spanning the period from 1989-2012. It has been made possible with support from the Heritage Lottery Fund, alongside sponsors Rose Bruford College, Attenborough Centre for the Creative Arts, and the Royal Conservatoire of Scotland.
editorial@totaltheatremagazine.org.uk
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