Author Archives: Richard Lavery

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About Richard Lavery

Richard is an Irish theatre director working in original and experimental writing and the artistic director of Accidental Theatre.

Odd Comic: Would be Nice Though...

Odd Comic: Would be Nice Though…

Odd Comic: Would be Nice Though...

How surreal have your job interviews been? Would Be Nice Though… – a piece from artists Holly Bodmer and Dot Howard, who together make up Odd Comic – places you in the moments leading up to a job interview that will never materialise. You are the interviewees, the hopeful few who have arrived to vie for a job. From nervous chit-chat in the hallway to upbeat songs meant to psyche us up, the audience is caught between the impending interview and the other participants’ surreal preparations.

An immersive piece of environmental theatre taking place in a real office,Would Be Nice Though… blurs the distinction between what is real and what is theatrical. Only the increasingly odd behaviour of the other interviewees gives away who the performers are. The performance lurches rather than flows from moment to moment, leaving you unsure of where you are. At times you are left in awkward silences and cringe-worthy encounters that excellently capture the feeling of wanting to escape without ever making you actually want to run for the door. An interactive piece which involves a small amount of audience participation, Would Be Nice Though… really shines as the performers react to the audience, improvising around them and keeping the performance feeling very fresh.

Funny and touching, this site-specific piece relies on emotional moments rather than a narrative story, evoking feelings of awkwardness to capture the sense of the job interview world. Unsettling feelings develop throughout the play and, conversely, these make up the most charming element, capturing both the stress of the job race and the impending fear of failure and inadequacy that is only a headed letter away.

Brought to Edinburgh as part of Escalator East, Odd Comic devised the play at the beginning of the financial crisis, staging it first in Norwich Arts Centre. The pair have devised work together before in Norwich, but Would be Nice Though… is their first piece under the Odd Comic name.

The real world location of the office amplifies and accentuates the unusual behaviour of the performers: as the play builds you feel more and more at odds with the surrounding real world. Perfectly set to achieve this, and with particularly strong performances, the characters guide you from moment to moment without putting too much pressure upon the audience to contribute, perfectly balancing the options to interact or observe. Would be Nice Though…is funny, intelligent and at times very touching.

www.wouldbenicethough.tumblr.com

Ross Sutherland: Comedian Dies in the Middle of a Joke

Ross Sutherland: Comedian Dies in the Middle of a Joke

Ross Sutherland: Comedian Dies in the Middle of a Joke

Take a seat and take on a character; it’s 1983, and you’re here to recreate a murder. Comedian Joe Pops was shot dead at the end of a disastrous set and now you’re recreating a five-minute time loop leading up to his death.

This novel piece splits the audience in two with some members sitting cabaret style at the front and the main body sitting at the back watching with detached glee. For those brave enough to sit in the front, you inhabit a host of different and unusual characters: from Joe’s agent, to blonde-wigged urbanites. Each character is accompanied by a hat, wig or piece of costume to help participants get into character and a simple set of instructions detailing a few actions within the repeating time loop of the gig. The range of instructions is a subtle but fantastic part of the performance, from simple heckles, to punchlines, to creating a house of cards as a disinterested architect. With each repetition over the hour-long play you get the chance to inhabit another character and even the opportunity to become Joe him/herself.

The simple and flexible script is cleverly constructed by devisor Ross Sutherland and the almost invisible cast, revealing hints of excellence on the edges of the repetitions as it gives you something slightly different at the end of each loop. Its interactivity has a rough and intimate feel, with energy and humour predominantly flowing from the audience – but this is also how it comes unstuck: as the performance relies heavily on the audience and the repetitive nature of the play, momentum doesn’t build but stumbles along as specific audience members get laughs with genius one-liners and others only elicit a mystified chuckle. With each repeat very little is learned about the focus of the story – Joe Pops and his impending murder – which left me struggling to feel drawn in. The form of the show means that any actual tension is created only from audience nerves as they prepare to shout out their own heckles.

Part of Escalator East to EdinburghComedian Dies in the Middle of a Joke is an interesting and varied piece that has a lot of potential to shine, but relies so heavily upon the audience that your experience could range from an astounding to a nervously quiet hour. If you love to get involved then this show is going to appeal, but if you want the show to really be great, it’s up to you.

www.rosssutherland.co.uk