This performance is a beautiful mix of a lot of different forms. The central performing character is a dancer and she is supported onstage by a singer/musician and a musician singer. This piece sometimes verges into a performed music gig with dance, but mainly it’s an amalgam of dance theatre, singing, and spoken word. Technically, […]

This puppetry and visual theatre performance from Indonesia takes as its starting point a bloody military coup that took place in 1965, opening with a video projection of (literal) puppet politicians giving speeches and live masked performers cheering the events waving red balloons and red flags. One either side of the white cotton screen that […]

My interest in seeing the work of Fourth Monkey comes from their approach to training. The company run their own one or two year course with an emphasis on ensemble practice, where participants pay to train and have access to performance opportunities such as this show Hansel and Gretel, written by Toby Clarke (Sketty Theatre). […]

Speak white! / C’est une langue universelle / Nous sommes nés pour la comprendre / Avec ses mots lacrymogènes / Avec ses mots matraques… On the stage is a beautifully crafted model of a 1930s apartment block – a kind of giant dolls house, with each apartment lighting up as our storyteller describes who lives there. This is 887 […]

Babolin combine a young company comprised largely of first-time (and genuinely excellent) Fringe performers, with a seasoned creative team including director Al Scott and Composer Tom Penn, whose presence ensures continuity in Babolin’s trademark style. As with their previous work, such as 2011’s To Avoid Precipice, Cling to Rock, ensemble playing, joyfully ridiculous narratives, and stylised […]