Writings

Poker Night Blues - Photo by Wang Yuchen

Theatre Movement Bazaar/Beijing TinHouse Productions: Poker Night Blues

August 17th, 2015 by

How perfectly the heart works, when it works… Poker Night Blues is a collaboration between  the US-based theatre company Theatre Movement Bazaar and Chinese-based Beijing TinHouse Productions. Together, they take an iconic American dramatic text, A Streetcar Named Desire, and deliver it to us with an ensemble of Chinese actor-dancers (although some are possibly Chinese-American) […]

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Open Clasp - Key Change

Open Clasp: Key Change

August 17th, 2015 by

This deeply affecting ensemble production made me think about female prisoners in a significantly different light. After learning the characters’ stories, based as they are on real testimonies, I understood that the women’s eventual incarceration was as inevitable as it was beyond their control. Yet these women are very clearly presented not as victims but […]

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Jethro Compton - Sirenia

Jethro Compton: Sirenia

August 17th, 2015 by

At the very top of C Nova, up flights of increasingly dusty and ancient-looking stairs, is the tiny atmospheric room used for Sirenia, a piece designed for a maximum of sixteen audience members. Unlike Jethro Compton’s Bunker Trilogy, where the attic staging in C venues initially demanded some suspension of disbelief, here the set-up immerses […]

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Kaboodle Theatre - Writing

Kaboodle Theatre: Writing

August 17th, 2015 by

This tender and intimate production is devised by Olive Merrill and Emma Clarke and explores the world of a five year old child who is learning to write. My interest was piqued by the piece’s concept, inspired as it was by ‘company members’ background in education and experience of working with children who have incredible […]

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Wales Millennium Centre - Man to Man - Photo by Polly Thomas

Wales Millennium Centre: Man to Man

August 17th, 2015 by

This stunning solo piece fully captivated me right from the start. Originally performed in 1987 (with Tilda Swinton in the role), Manfred Karge’s gritty play is enlivened in a new translation by Alexandra Wood with the excellent Margaret Ann Bain as Ella. The pre-set introduced a stylish design: a sparse room with basic furniture (including […]

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