Writings

Thomas Martin and Pat Ashe, Beta Public

Thomas Martin and Pat Ashe: Beta Public

July 13th, 2013 by

Beta Public was a two-pronged thrust at exposing the underbelly of what computer games could mean in the world of theatre. The evening began below stairs with a loosely curated exhibition of video games on various devices, with creators hovering by, and culminated in a short programme of demonstrations and discourse on what gaming could […]

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Kieran Hurley, BEATS

Kieran Hurley: BEATS

July 12th, 2013 by

Johnno McCreadie is 15 and lives in Livingston, Scotland. His friend Spanner is a bit of a bad laddie; his mum Alison is worried about those boys, about drugs. The D-man, a techno-head from the south of England, is taking Johnno and Spanner to a rave, Johnno’s first ever. Robert Dunlop is a policeman haunted […]

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Jamie Wood, Beating McEnroe

Jamie Wood: Beating McEnroe

July 4th, 2013 by

Sitting in the lotus position on a mat of taped-together tennis towels, Jamie Wood meditated as the audience idled in. Every now and then he opened one eye to spot someone in the audience, picked up one of the tennis balls encircling him, pointed at the person, and threw it at them. Usually they caught […]

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Jo Hellier, 97 Years

Jo Hellier: 97 Years

July 4th, 2013 by

97 Years by Jo Hellier is an interactive installation, facilitated by the artist, in which the audience are given strings that control a delicately balanced soundscape featuring Jo’s granddad talking about his garden and his wife Marian. The composition of sound, film and performance has a light touch yet enormous emotional weight, evoking tears and […]

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Les 7 Doigts de le Main, Sequence 8 | Photo: Sylvie Ann Pare

Circus – a Tale of Two Cities

July 4th, 2013 by

This May saw two major UK festivals – Brighton Festival and the Norfolk & Norwich Festival (NNF) – presenting a hefty amount of circus work from across the world. Unsurprisingly, Quebec and Australia were heavily represented… The Quebec crew first: it’s hard for outsiders (and even insiders) to understand how a circus company could come […]

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