Reviews

Christopher Brett Bailey: This Is How We Die

June 20th, 2014 by

Most frequently seen throwing food around or covering himself in flour, in this first solo show by the Made in China artist we find Christopher Brett Bailey alone on stage, seated behind a desk, microphone to his lips. In the shadows of the space behind him a range of amps and monitors can be glimpsed. […]

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ANU Productions: Angel Meadow

June 17th, 2014 by

Advice for readers considering visiting Angel Meadow: do; have a drink first; get stuck in; read no further, the following contains spoilers. Manchester was built by the Irish, both the bricks and the soul. How else does a city learn so many sweetly sad songs? Fitting, then, that Dublin’s ANU Productions, fast building a reputation […]

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Requardt & Rosenberg: The Roof

June 12th, 2014 by

Much like the computer technology that runs, powers, and gives users access to them, the world of video games has developed at a breathtaking pace when one considers its short linear history.  Endless worlds that were only recently limited to power-hungry PCs spread across multiple households for online role play are now matched, and in […]

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Young Jean Lee: The Shipment

June 12th, 2014 by

LIFT’s Artistic Director Mark Ball has given this fresh, funny and unsettling piece, commissioned by the Wexner Centre Ohio in 2008, its UK premiere. Good work Mark, for a cracker. Opening as a kind of contemporary minstrel cabaret, the cast of five play the stereotypes they are most frequently auditioned for: the crack dealer Omar, […]

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Worboys Productions: Mrs McMoon & Signor Baffo

June 11th, 2014 by

We enter to a sleeping Mrs McMoon all cosy and comfortable in her spotty housecoat, dozing snug in her red polka-dot armchair. We’ve time to observe her and her environment; a kitchen come livingroom, complete with cuckoo clock and cooker. As she startles and briskly jumps up to answer her ringing outsized phone, we’re immediately […]

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