Cinematography is a precise and demanding business. Juggling angling, light and shadow, the right lens, the challenge of a smooth pan or unforgiving close up. As a theatre maker, such preoccupations feel fussy: I’m interested in the freedom of the live moment, immediacy and mess! So it has been provocative and mind-expanding as both artist […]

Awe and wonder: Forced Entertainment, masters of the fragmented narrative, shock us with a linear narrative based on a novel – The Notebook, by award-winning Hungarian-Swiss author Agota Kristof, first published in Paris as Le Grand Cahier. And what a corker of a story: a reflection on the terrors of war,  on the effect of […]

Adler & Gibb tells a story about art, love and appropriation. On the way it touches on the nature of acting, the unvoiced demands of the audience, the murky territory where art meets life. This exploration occurs largely through words, in dialogue between characters and occasionally with us the audience. It is a play, it’s […]

It was at LIFT 2012 with the show Minsk 2011: A Reply to Kathy Acker that the Belarus Free Theatre burst on to the consciousness of Britain’s theatre scene. Fugitive from their own oppressive state, the company’s voice accesses a passion and sincerity rarely available in work made here. In this co-production with the Young […]

Most frequently seen throwing food around or covering himself in flour, in this first solo show by the Made in China artist we find Christopher Brett Bailey alone on stage, seated behind a desk, microphone to his lips. In the shadows of the space behind him a range of amps and monitors can be glimpsed. […]