Tag Archives: Edinburgh Festival Fringe

David Hughes Dance / Al Seed: Last Orders ¦ Photo: Alberto Santo Bellido

David Hughes Dance / Al Seed: Last Orders

August 17th, 2011 by

Through the glass darkly… And what do we find if we cross the divide? Heaven, hell, or a purgatory of eternal partying? Last Orders uses smoke and mirrors – literally and metaphorically – to explore its twilight world, a dreadful disco of lost souls condemned to a St Vitus’ Dance with no respite. Dominating the stage for […]

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Spielpalast Cabaret ¦ Photo: Michael Heeney

Spielpalast Cabaret: Spielpalast Cabaret

August 17th, 2011 by

The Spielpalast Cabaret, who hail from Burlington, Vermont in the USA, are a troupe dedicated to restoring cabaret to its feisty, transgressive, gender-bending, political origins – referencing the bathtub gin of the Roaring 20s, the artistic rebellion of Dada, and the transgressive decadence of the Weimar Republic. And how does this manifest? In a rip-roaring […]

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Teatro del Parpadeo: An Imaginary History of Tango

Teatro del Parpadeo: An Imaginary History of Tango

August 17th, 2011 by

In An Imaginary History of Tango – billed as ‘more than just a show, an invitation’ – solo performer Anna Cetti delves into personal experiences of world travel and romance, and explores her relationship to dance in general and tango in particular. This journey unfolds using a range of dance forms featuring, of course, the tango, but […]

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Nutshell: Allotment

Nutshell: Allotment

August 16th, 2011 by

‘It’s a bit like swimming in a loch, it’s fine after a few minutes,’ says one of the stalwart crew for Allotment, to help the rain-soaked audience along. We are also told cheerfully that ‘it’s a British show with British weather’. In some ways they overcompensate: every effort is made to keep us comfortable, with ‘speed […]

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Backhand Theatre: Images

Backhand Theatre: Images

August 16th, 2011 by

Images explores urban isolation through spoken word, dance, circus and some projection. It’s billed as a promenade performance, so is perhaps wrong for the space at C eca, because all this seems to mean is that some of the audience have chairs while others sit on the floor. The text, by Jake Linzey of Backhand Theatre, […]

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