Walid Raad, dressed unremarkably in a black t-shirt and dark blue jeans, speaks to a group of 40 people seated in MoMA’s beautifully open Marron Atrium. Armed with blue headphones, his voice is channeled into our eardrums, drowning out the chatter, laugher and general hubbub that fills one of modern art’s most famous buildings. We […]
Writings
Walid Raad: Scratchings on things I could disavow: Walkthrough
November 12th, 2015 by Terry O'Donovan
Dickie Beau: Blackouts – Twilight of the Idols
November 9th, 2015 by Dorothy Max PriorWell, that wasn’t what I was expecting! Dickie Beau has a formidable reputation as a cabaret and nouvelle drag artiste, but in recent years has also created full-length theatre works. Blackouts: Twilight of the Idols ‘conjures the spirits of celebrated Hollywood icons’ and ‘channels the ghosts of his childhood idols’ – but that’s not the […]
Wattle & Daub: The Depraved Appetite of Tarrare the Freak
November 4th, 2015 by Darren EastWhen a show opens with its title character being dumped on the autopsy slab, it’s a fair bet that things aren’t going to end well. But Wattle & Daub’s brown-aproned sextet of performers – musicians, singers, puppeteers – are determined to have a good time along the way. They take on the apparently true tale […]
Rouge 28: Kwaidan
November 4th, 2015 by Adam Bennett‘Hello? Is anybody home?’ says the woman as she enters the space, furnished with 1970s dresser, television set, and table. A large dark mirror above the dresser, and wardrobe doors, are significant hints of secrets to be revealed, and a screened area turns out to be a small bedroom, with Japanese paper screens behind. Immediately […]
Little Angel Youth Theatre: The Jabberwocky
November 4th, 2015 by Darren EastDespite being a show performed by young people, this is a production presented within the main programme of the SUSPENSE adult puppetry festival and is in a sense a triple-distilled piece of theatre. It has been inspired by Steve Tiplady’s production for the Little Angel last year, but this itself was already a radical reworking […]
