Rebecca Nice meets up with a heroine on a mission to empower women by exposing and facing up to the traumas and distresses they fear most Rhiannon Faith bounds into the bar full of beans, stories and thoughts about both future projects and her current work, Scary Shit. She has just finished bombarding Edinburgh Fringe […]

The programme notes state that the creative process was motivated by the question; ‘is it possible to adapt a novel for the stage and still allow the audience to imagine the characters as if they were reading?’  The answer is a resounding YES, as this very accurately describes my experience of the piece.  The writer, […]

Often Onstage features a series of quirkily engaging dance/movement routines in kitschy outfits interspersed with video sequences and comical audience interaction. The onstage chemistry of the four young women performers (usually five, but they are one woman down on the show I saw) makes them a likeable and watchable ensemble, and there is a life-affirming […]

It could well be that the Triple Threat here is a challenge to Sexual Modesty, Religious Reverence, and possibly Theatrical Convention. Not that it is inaccessible in its experimentalism, far from it; more like the Progressive Working Class Entertainment that Duckie aspire to create, and with whom Lucy has previously worked. Whatever you may take […]

Today is going to be different, we are told: a different day in the forest. The lights are dimmed, and the room is soft; crafted foliage and autumnal textures lull us into the mythic lair of the story. The forest keeper, Ivy (Lucy Garland) draws us to her realm. The performance is designed for adults […]