Rhiannon Faith’s Scary Shit is a collaboration with Maddy Morgan and psychotherapist Joy Griffiths. Faith and Morgan’s performance draws on autobiographical subject matter that emerged during therapy sessions as part of the creative process. The duo uncover a darker side of womanhood that is rarely thrown into light with such disarming honesty, facilitated by their […]
Writings
Circus and the Search for Home
March 5th, 2016 by Dorothy Max PriorAcross the Barbican’s vast stage – right across, east to west – is a wall. It could be anywhere: Berlin pre-1989; the West Bank, anytime over the past 30 years. It could be now: Bulgaria, Macedonia, Hungary; the entrance to the Channel Tunnel at Calais. It’s perhaps 3 or 4 metres high, a mottled rusty-grey […]
Unicorn Theatre: Jeramee, Hartleby and Ooglemore
February 24th, 2016 by Terry O'DonovanClassic clowning is joyfully brought to life at the Unicorn Theatre for Gary Owen’s Jeramee, Hartleby and Ooglemore. It’s interesting to see the piece in the same week that I finally caught Owen’s Iphigenia in Splott, his celebrated play that is enjoying a run at the National Theatre’s Temporary Space. Whilst Iphigenia is a dense, […]
I’m Hunt, She’s Darton
February 23rd, 2016 by Lisa WolfeTea for two? Lisa Wolfe finds the place where food meets art, at the Hunt & Darton Café ‘Regret nothing’ is a great life motto for some, but I still curse myself for leaving Jenny Hunt and Holly Darton’s SICK! Festival Café minutes too early one lunchtime in March 2014. My sister-in-law had just courageously […]
Rhum and Clay Theatre Company & Beth Flintoff: Hardboiled
February 18th, 2016 by Jo SquiresFor fans of film noir, Hardboiled is a delight. Inspired by classic thrillers like The Maltese Falcon, The Big Sleep and, later, Chinatown, Hardboiled translates the essence of this brooding genre into the language of theatre with great style and inventiveness. The story follows a young but determined private investigator, Sam Shadow, as he takes […]
