Stephen Mottram is known for his sophisticated marionette shows for adult audiences, and also for his highly skilled analysis and performance of puppet movement and expression. The Parachute appears to have begun life as an experiment in how minimally humans can be represented, as animated figures, and still have their actions and their inner lives […]
Writings
Nordic Puppet Ambassadors: Only One Suitcase Allowed
January 29th, 2017 by Dorothy Max PriorA world within a suitcase – tall town houses, a tram, and little paper-cut people happily going about their business. A mother and daughter holding hands. A group of adults waiting at a stop. Children sitting on the pavement. A man taking a stroll. Everyday life. The female performer manipulating the little people provides an […]
Under a Magnifying Glass
January 29th, 2017 by Donald HuteraDonald Hutera meets Euripides Laskaridis, the Greek artist responsible for the ripe and remarkable solo show Relic, which receives its UK premiere at the London International Mime Festival 2017 Relic, as the gifted Greek theatre-maker Euripides Laskaridis explains, ‘is a word that comes from the Latin “relinquere,” which means “whatever is left behind.” It’s something […]
Sacekripa: Marée Basse
January 27th, 2017 by Dorothy Max PriorMarée basse – low tide. Downtime. The waiting time. On stage, there’s a house, or at least, a kind of shack. Inside its wooden boundaries, a kitchen table, a couple of chairs, a small enamel cooker, tin pots and pans, a TV. As we enter the auditorium, a nasty waspish synth line repeats and repeats […]
Mossoux Bonté: Whispers
January 18th, 2017 by Thomas JM WilsonWhispers is one of those Mime Festival shows that doesn’t quite fit into any category, at once both dance and object animation, it is also neither of these. And, although there is only one performer visible on stage throughout (Nicole Mossoux) she almost certainly isn’t alone. Moreover, though the work originated out of an interest […]
