Often Onstage features a series of quirkily engaging dance/movement routines in kitschy outfits interspersed with video sequences and comical audience interaction. The onstage chemistry of the four young women performers (usually five, but they are one woman down on the show I saw) makes them a likeable and watchable ensemble, and there is a life-affirming […]

It could well be that the Triple Threat here is a challenge to Sexual Modesty, Religious Reverence, and possibly Theatrical Convention. Not that it is inaccessible in its experimentalism, far from it; more like the Progressive Working Class Entertainment that Duckie aspire to create, and with whom Lucy has previously worked. Whatever you may take […]

Today is going to be different, we are told: a different day in the forest. The lights are dimmed, and the room is soft; crafted foliage and autumnal textures lull us into the mythic lair of the story. The forest keeper, Ivy (Lucy Garland) draws us to her realm. The performance is designed for adults […]

Fred’s time has come. It comes to us all, sooner or later – the time when we realise who we are and what we are made of. Fred? Well, he’s a puppet. Stitched from canvas, stuffing and seams. Fred spots bigger hands behind his own – shocking! He sees giant fingers wrapped around his feet […]

Shown as the second half of a double-bill with A:Version, PITCH is just that – an attempt to reveal the life of a person, in this case Skye Reynolds, to an audience. She wants to explore how an artist can take action rather than avoid it. ‘Why am I here?’ she asks, holding our gaze. […]