The programme notes state that the creative process was motivated by the question; ‘is it possible to adapt a novel for the stage and still allow the audience to imagine the characters as if they were reading?’ The answer is a resounding YES, as this very accurately describes my experience of the piece. The writer, […]
Writings
Bea Roberts: Infinity Pool – A Modern Retelling of Madame Bovary
September 1st, 2016 by Matt Rudkin
Figs in Wigs: Often Onstage
September 1st, 2016 by Matt RudkinOften Onstage features a series of quirkily engaging dance/movement routines in kitschy outfits interspersed with video sequences and comical audience interaction. The onstage chemistry of the four young women performers (usually five, but they are one woman down on the show I saw) makes them a likeable and watchable ensemble, and there is a life-affirming […]
Lucy McCormick: Triple Threat
September 1st, 2016 by Matt RudkinIt could well be that the Triple Threat here is a challenge to Sexual Modesty, Religious Reverence, and possibly Theatrical Convention. Not that it is inaccessible in its experimentalism, far from it; more like the Progressive Working Class Entertainment that Duckie aspire to create, and with whom Lucy has previously worked. Whatever you may take […]
Frozen Light: The Forest
September 1st, 2016 by Marigold HughesToday is going to be different, we are told: a different day in the forest. The lights are dimmed, and the room is soft; crafted foliage and autumnal textures lull us into the mythic lair of the story. The forest keeper, Ivy (Lucy Garland) draws us to her realm. The performance is designed for adults […]
Hijinx Theatre Company with Blind Summit: Meet Fred
September 1st, 2016 by Marigold HughesFred’s time has come. It comes to us all, sooner or later – the time when we realise who we are and what we are made of. Fred? Well, he’s a puppet. Stitched from canvas, stuffing and seams. Fred spots bigger hands behind his own – shocking! He sees giant fingers wrapped around his feet […]
