Volume 17 Issue 1, Spring 2005

EditorDorothy Max Prior

Reviews

Controluce, Canto a Orfeo
Philip Beaven
Norwich Puppet Theatre, Pinocchio
Philip Beaven
Idolrich Theatre, The Model
Miriam King
Sleeping Dogs, Migrant Overtures
Miriam King
Uninvited Guests, Schlock!
Beccy Smith
David Glass Ensemble, Disembodied
Philip Beaven
Peepolykus, It’s All in the Timing
Laura Eades
Kazuko Hohki, Evidence for the Existence of Borrowers
Dorothy Max Prior
Petra’s Pulse, Drinking the Dawn
Marigold Hughes
Leikin Loppu, Persuasion
Marigold Hughes
1157 Performance Group, Seen and Not Seen
Tom Wilson
Opera Circus, Arcane
Katie Phillips
Blast Theory / Mixed Reality Lab, Can You See Me Now?
Bill Parslow
Leslie Hill / Helen Paris, Smoking Gun & Family Hold Back
Anna Birch
Lightwork, Here’s What I Did With My Body One Day
Marigold Hughes
Teshigawara / Karas, Bones in Pages
Miriam King
Batik, Shoku / Side B
Miriam King
Philippe Decoufle, Solo
Miriam King
Alain Platel / Les Ballet C de la B, Wolf
Dorothy Max Prior
Amok Productions, Earth Angel
Dorothy Max Prior
Circus Oz
Dorothy Max Prior
Fidget Feet / Wired Aerial Theatre, Acromatic
Niamh Lawlor
Expressive Feat Productions, Does My Bum Look Big in This & Looks Deceiving
Tom Wilson
RSC, Venus and Adonis
Penny Francis

Review Round-ups

Visions Festival of International Visual Performance
Dorothy Max Prior
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