The title of this blog is a quote – or misquote, or paraphrase perhaps – from Liz Aggiss’s new work-in-progress The English Channel, an excerpt of which was presented 9 April at the Brighton Dome’s new venture The Works. (And where do I know that name from? Ah yes it was the title of a […]
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Heads Will Roll
January 27th, 2013 by Dorothy Max PriorSo, another London International Mime Festival done and dusted! 2013 saw the usual eclectic mix of work, crossing a whole plethora of artforms that snuggle under the ‘physical and visual performance’ umbrella, including contemporary circus, puppetry and animatronics, theatre clown and mime, live art, and some things that are hard to categorise, other than under […]
Critics Take to the Hills (of Tuscany)
October 21st, 2012 by Dorothy Max PriorThe three Cs: creator, curator and critic. How do these roles relate and interact with each other? Is the fact that so many performance artists and theatre-makers are also curators (of projects, festivals, events) a uniquely contemporary phenomenon? If the roles of theatre-maker and critic cross over does that diminish or enhance each role? Is […]
A response to Aqui e Agora / Here and Now
September 10th, 2012 by Dorothy Max PriorA response to Os Bem-Intencionados / The Well-Intentioned, Brazilian company LUME Teatro’s new work in progress… We are called into the ‘green room’ at the Sede de LUME – the company’s rehearsal and workshop space – and see a number of tables furnished with lime green satinette cloths, arranged in a circle around a dancefloor. […]
Edinburgh: On the Cusp of the Awards
August 23rd, 2012 by Dorothy Max PriorSo where was I? Ah yes – the Total Theatre Awards shortlist meeting, and having 28 shows to see in a week, above and beyond the things I already had booked. Well, I’ve done that. Since the Total Theatre Awards shortlisting meeting on 16 August, I’ve run madly around town, determined to see all the […]