David Rosenberg’s work with Shunt has often played with the role of the audience – putting audiences in uncomfortable situations, forcing them to make decisions, pushing them into voyeuristic viewings of intimate situations. Ring sees audiences placed right at the centre of the action, and as a ‘performance’ delivered entirely in complete darkness it certainly […]

The classic conventions of the father and son relationship are explored in this dance-based performance by Giulio (31) and Stefano (62) D’Anna. Dramatic and emotive piquancy is added due to Stefano being recently diagnosed with Parkinson’s disease. Father and son are both therapists, but only Giulio is dance trained. He has created and choreographed this […]

Fevered Sleep are famously experimental in their approach to making work, with their output spanning a dizzying array of forms, featuring audio installation, interactivity with children and adults, and even a live horse. Above Me The Wide Blue Sky does not disappoint in this respect: it is difficult to classify and complex as an experience in real […]

Common Wealth produces site-specific theatre that ‘places the audience at the centre of their work’, claiming that ‘theatre should be a memorable event and give you that feeling of being at a gig, of being part of something’. Standing in a freezing cold, largely empty pub car-park on the outskirts of Bradford on a grey […]

It has been said that the best way to provoke thought is often with a smile: the release of tension relaxes audiences before they’re landed with a good punch. So with big smiles, get ready for big punches… First up in a double-bill at Camden People’s Theatre’s Sprint festival is Jessica Latowicki. In a sparkling […]