‘You are nothing but a big zero,’ says the Fool to Lear. I paraphrase, apologies Mr Shakespeare. But this is not, you understand, a version of King Lear, although that was the starting point – a period of research supported by the Royal Shakespeare Company, in which Clod Ensemble discovered that what they didn’t want […]

Le Mote Juste give a virtuoso physical performance of Gogol’s short story, with a minimalist stage set and furious swapping of characters and postures drawing the audience through the narrative. There are some great comic moments: the hunting of the cats needed for a fur collar is extremely funny, and the demeanour of Akaky Akakievich […]

Beckett was a writer fascinated by form. His plays and novels continually redefined literary and performance models in his attempts to ‘accommodate the mess’ of man’s place in the modern world. It is the writer’s commitment to form which has governed the Beckett Estate to guard so fiercely the staging instructions of his plays; one […]

Telling a story through parallel voices is a familiar theatrical device – witness Michael Pinchbeck, Chris Goode and others. Here, though, we have a story told by a theoretical cat (Schrödinger’s, no less), the writer/actor Pieter De Buysser, and a character called Sebastian who Pieter tells us is fictional. The main story belongs to Sebastian. […]

The impossibly awful Val opens the proceedings by ranting at Jess for taking lunch-breaks and for her pedestrian progress in her work. As she goes off to complain to the MD (again), her sweet and new-agey colleague Erin sympathises, and speaks admiringly of Jess’ relationship with her boyfriend. The scene is set for a piece […]