Writings

Third Angel: What I Heard About The World

Third Angel: What I Heard About The World

March 9th, 2012 by

Before us is a collection of rescued objects. An apparent undergraduate bed-sit of reclaimed clutter: a pharmacy sign, wallpapered stag-head and lifesaver ring adorn Seventies G-Plan furniture and beaten lockers, while an incongruous unoccupied fish-tank, ill-looking houseplants and eclectic seating break the mise-en-scene into thirds. Three men occupy this environment – a living archive of […]

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RedCape Theatre and Turtle Key Arts: 1 Beach Road ¦ Photo: Nik Mackey

RedCape Theatre and Turtle Key Arts: 1 Beach Road

March 6th, 2012 by

This beautifully staged and physicalised piece provides everything that one could wish for in terms of metaphor and images related to sand and sea. As Jane’s mind crumbles due to the tragic progress of early onset Alzheimer’s, so too does the sand in her pockets and beneath her feet. A real strength of 1 Beach Road is […]

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Acrojou Circus Theatre: Wake ¦ Photo: Bertil Nilsson

Acrojou Circus Theatre: Wake

March 2nd, 2012 by

Acrojou have previously performed thoughtful, artistic work on German Wheels (like ‘Dust’ and ‘The Wheel House’) at street theatre festivals and circus events but this is their first full-length theatre show, which is touring until the end of March. Since this could well be the first ever show produced and performed by German Wheel artists, […]

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LUME Teatro: Cravo, Lirio e Rosa

LUME Teatro: Cravo, Lirio e Rosa

March 2nd, 2012 by

Blackout, and we hear the William Tell overture. A grand entrance is anticipated; the same kind of anticipation I built when I was purchasing the Play Goes Wrong show tickets. Lights on – and, and… And here is Teotonio, who is delighted to be on stage. So delighted. It shows in every muscle of his […]

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Darkin Ensemble: DisGo

Darkin Ensemble: DisGo

February 10th, 2012 by

From the moment we arrive at the Arnolfini and are asked to remove our shoes and put on white socks, there is a kinetic sense of anticipation in the air, the audience bunching nervously towards the entrance of the auditorium. Darkness envelops us, and the space into which we must step is fenced by shoulder-height […]

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