The number of straight young men encouraged into ballet schools might plummet after two and half hours of brazen campery in Matthew Bourne’s triple bill. Presented to celebrate his company’s 25th anniversary, it is a timely selection for a year of Jubilee and Olympic festivities, a lighthearted, nostalgia-ladened programme of exquisitely performed classical ballet with […]
Writings
Bootworks Theatre: Predator
May 17th, 2012 by Dorothy Max PriorSo, you know the 80s action movie Predator? The one with Arnie in, about an alien stalker who picks off a load of butch blokes one by one when they stray off the beaten path into the deepest depths of the South American jungle? You don’t? Neither did I, which some might consider a disadvantage for […]
Made in China: We Hope That You’re Happy (Why Would We Lie?)
May 17th, 2012 by Dorothy Max PriorPresented under the auspices of ‘east. by. south. east’, a collaboration between key venues in those two regions, Made in China’s We Hope That You’re Happy (Why Would We Lie?) is a strange beast, in the best sort of way – an interesting mix of new writing and physically embodied, really there, live art performance. It took me […]
Klaus Obermaier: Apparition
May 17th, 2012 by Miriam (Mim) KingTwo dancers, a strand of light behind them, an intense white strand of light, cutting across the rear wall – in response to the dancers, or is it that the dancers are responding to the light? This mesmerising brilliant strand is superseded by lines of light streaming down, vertically, contrasted by horizontal lines projected onto […]
Sleepdogs: Astronaut
May 14th, 2012 by Miriam (Mim) KingA full house, quiet, a twilit lull, then into the dark and the sound of an electronic signal, coming in, cutting out; difficult to hear dialogue. I could make out some words: that of an astronaut, an astronaut in the dark, the voice of Neil Armstrong in the dark, in communication with NASA. Beep beep! […]
