Acrojou have previously performed thoughtful, artistic work on German Wheels (like ‘Dust’ and ‘The Wheel House’) at street theatre festivals and circus events but this is their first full-length theatre show, which is touring until the end of March. Since this could well be the first ever show produced and performed by German Wheel artists, […]
Writings
LUME Teatro: Cravo, Lirio e Rosa
March 2nd, 2012 by Dorothy Max PriorBlackout, and we hear the William Tell overture. A grand entrance is anticipated; the same kind of anticipation I built when I was purchasing the Play Goes Wrong show tickets. Lights on – and, and… And here is Teotonio, who is delighted to be on stage. So delighted. It shows in every muscle of his […]
Darkin Ensemble: DisGo
February 10th, 2012 by Thomas BaconFrom the moment we arrive at the Arnolfini and are asked to remove our shoes and put on white socks, there is a kinetic sense of anticipation in the air, the audience bunching nervously towards the entrance of the auditorium. Darkness envelops us, and the space into which we must step is fenced by shoulder-height […]
Curious Directive: Your Last Breath
February 9th, 2012 by Thomas BaconIf science and philosophy did not sit comfortably within theatre then last year would not have seen the frustratingly engaging Schrödinger from Reckless Sleepers or the beautifully desperate The Writer from Ulrike Quade. Yet somehow Curious Directive, who set out in their manifesto to ‘interrogate the simple role which science plays in everyday life’, have produced a work that […]
Improbable: The Devil and Mister Punch
February 7th, 2012 by Beccy SmithImprobable’s new show, led in this case by director / designer Julian Crouch, is a strange and stirring affair. The opening moments are near perfection, for me. In a gilt frame, against a blue sky, a single, gloveless hand presents itself: the puppet unmasked. Through another small panel, a hand reaches out and sets a […]