Nowadays, Outdoor Arts are taken seriously as an artform – funded and programmed within festivals, with risk assessments and audience evaluations to the fore. Which is all well and good – but what happened to the anarchic immediacy of traditional Street Theatre? Oh hang on – it does still happen! Horta Moreton reports on the […]

Stockton International Riverside Festival 2019 struck me as a festival in two parts. During the day and into early evening, the high street is a ringing, singing carnival of overlapping shows – static, circle, promenade. All very different propositions: from traditional street theatre, to tea dances, to acrobatics, to anarchic audience interactions… Edward Taylor paints […]

Edward Taylor takes a psychedelic trip to the Stockton International Riverside Festival to encounter, amongst other delights, rainbow-coloured cars pegged out to dry, and sci-fi globules that sing sad tunes when taken the wrong way Stockton-on-Tees is a most unlikely venue for a major international street theatre festival – but the event has been running […]

A woman laden with a giant rucksack enters the space. Her movement is slow, careful, as if she is walking through a snowstorm. She is wearing a giant coat with a large hood, her boots look warm and the rucksack on her back feels heavy. She waves a flag! She plants it on the ground […]

Hearty is the fifth in Frankland’s series of solos, NONE OF US IS YET A ROBOT about trans identity and her own transition experiences. It completes this body of work with a call to arms. In the decrepit setting of Summerhall’s peeling Dissection Room, water pools the floor and a looped projection of fuzzy newsreels […]